Low Hard Cervix Two Weeks Before Period

SOCRATE AL CONCORSO DI BELLEZZA

Socrates in the beauty contest

Armando Massarenti

Bello was not, and also just washed. Socrates had much to think about. Reflect, think, appunto. Ammaliava giovani e vecchi con i suoi ragionamenti e, soprattutto, dialogava. L’oracolo di Delfi gli aveva rivelato, col suo solito stile enigmatico, che proprio lui era il più sapiente degli uomini. Al momento gli era parso assai strano. Ma, poi, verificato, attraverso il dialogo, quanto poco sapevano di fatto coloro che ostentavano i più diversi saperi, si accorse che lui, rispetto a quelli, almeno sapeva di non sapere.

Un giorno, brutto e trasandato come si presentava di solito, fu sfidato a un concorso di bellezza dall’amico Critobulo. “Partecipo, d’accordo ( rispose ), ma dimmi: che cosa intendi per bellezza? Do you believe that beauty is found only in humans or in other things. " "Even in the horse, the ox, and in many inanimate objects (answered). A shield can be beautiful, and a sword, and an auction. " "Things are so different between them, how is it possible that they are all good?". "If they are well made with respect to uses for which we buy them or if they are naturally suited to what we need, things that are beautiful."

"Well, (then asks Socrates), you know why we need the eyes?". "To see." "If so my eyes are more beautiful than yours. " "Why?". "Your looking straight before them. My hand, as they also look projecting from the side. " "So the most beautiful eyes are those of the crab?". "Sure." "And what of the nose is more beautiful than mine or yours?" Said Critobulo. "The gods have given us to smell (meets Socrates). Your nostrils look towards the ground, my up and can thus accommodate the smells from everywhere. "

And so conversing, until Critobulo surrenders, the crazy disadvantage Calls are thinking of having the worst ratings. He missed the other hand is obviously Socrates. But this testimony of Xenophon, his great admirer, you'll see what it was ironic and witty. Self-mocking, above. Its was all a way to joke about his own ugliness, to the amusement of themselves and present. Not for a moment had taken seriously the idea of \u200b\u200bbeing really considered beautiful. He had simply adopted in a situation so frivolous, the most classic of its methods, the complex mechanism of irony that bears his name.

Socrates knows she is not beautiful. And he knows the definition of beauty data da Critobulo non porta molto lontano. Proprio per questo finge di prenderla massimamente sul serio, perché così, passo dopo passo, riesce a dimostrare artatamente il proprio vantaggio. Sembra uno degli stratagemmi che Aristotele e, molti secoli dopo Schopenhauer, descriveranno nel contesto dell’ eristica, l’arte di ottenere ragione anche quando si ha torto, incuranti dei più elementari principi di correttezza.

Ma il bello è che Socrate qui non sta affatto cercando di avere ragione. Non vuole certo vincere la gara.sta solo approfittando della situazione per divertirsi un po’ e, nello stesso tempo, fare un po’ good philosophy. He wants at least obvious that the winner will realize how far from grasping the true essence of beauty, which can not be defined solely in terms of convenience and utility, under penalty of having to consider a fine as Socrates. Which, incidentally, has always denied knowing anything about any subject he happened to discuss: the virtue, justice, beauty. It was his trademark. Like his ugliness, his humor and his intelligence.

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Libertà di movimento: WELCOME

Wednesday, April 28 last meeting with the new edition of "denied rights".

evening dedicated to freedom of movement and the right of asylum , con la proiezione del film WELCOME , pluripremiato nei festival di mezza Europa: a Bilal, un giovane rifugiato curdo giunto a Calais, non resta che attraversare la Manica per raggiungere l'agognata Inghilterra. Un dramma dell'immigrazione che racconta l'esperienza di migliaia di rifugiati attraverso uno stile asciutto e di forte impatto emotivo.

Dalle 20 in funzione bar e trattoria .
A seguire, alle 21, proiezione del film
WELCOME (di Philippe Lioret, Francia 2009)

INGRESSO GRATUITO

Saranno inoltre presenti i ragazzi di Amnesty International - gruppo 251 di Roma, per raccogliere firme a sostegno delle their petitions.

Labeled Diagram Of A Sailboat

Il Libano contro "Lebanon"

slammed by Lebanon 'Lebanon'

(Republic, 21/09/2009) A film

biased, politicized, biased: the Lebanese press and blog shoot zero on Lebanon, the Samuel Maoz film won the Golden Lion at the Venice Film Festival.

"That film shows only the views of Israel," writes the correspondent in Italy of Lebanese daily 'An-Nahar', close to the government majority in Lebanon. "Show operation of self-defense where the other does not exist, where the enemy is hidden away, treated as a 'terrorist'." For the Beirut daily, "The film, as we expected, yields to the temptation to turn the killers into victims or almost ...", says the newspaper.

Maoz, in the film, relives his experience as a young Israeli soldier during the first Lebanon War of 1982, an experience that changed his life and now has a film projected onto a strong, tough. In 'Lebanon' war is seen by the target of an Israeli tank in which four young soldiers are being held without being able to actually see the horrors and massacres around them.

The Lebanese daily 'Al-Mustaqbal' spoke of the film as an attempt to erase 40 years of "Israeli aggression": "The public in Italy has been plagued for sufferings of those four soldiers ... And not for the victims of war, "said the Lebanese newspaper, that" the film only serves to show the supposed humanity of the Zionist state, which started the war 'against his will and' distressed '. "Duro also the newspaper 'Al-Akhbar' close to the Hezbollah movement: "Most people feel that a film against the war and then criticizes the conflict initiated by the Jewish state and its army, but in reality is in no way critical," wrote 'Al -Akhbar '.

Even the Lebanese blog came a chorus of criticism for a film aimed at "humanizing Israeli soldiers and Lebanese and Palestinian victims."' Lebanon ', as happened with 'Waltz with Bashir' (always on the Israeli-Lebanese war) will not be shown in Lebanon because Beirut authorities prohibit the spread of Israeli products.


Press

"Set all within a tank except for the first and the last shot, lightning, 'Lebanon' and almost a continuation by other means of 'Waltz with Bashir', the Ari Folman's masterpiece that changed the history of the cinema of war and the animation. (...) At first you think the films of submarines than once, but a moment. And if leaving the room and easy to rationalize because at the end of all war films speak of horrors name, power conflicts, war crimes, 'Lebanon' manages to combine great strength with two runs. That 'human', accentuated by the claustrophobia of the fund. And the most proper of war, with atrocities and abuses against civilians that left more and more light shed on the tangle of Israeli-Lebanese war. Even if the film's most touching scene is when a tank crewman recalls an episode from his childhood mixing sex and death, the excitement of a first time and the day when he lost his father. And it does so using only words. " (Fabio Ferzetti, 'Il Messaggero', 08 September 2009)

" How strange, how unimaginable war la racconta Samuel Maoz, 47 anni di Tel Aviv, in 'Lebanon': al cinema non l'abbiamo mai vista così, neppure nel meraviglioso 'Valzer con Bashir', film di animazione onirico e poetico sull'episodio più orribile della stessa guerra, la strage di Shabra e Chatila (...) 'Lebanon' non ha una tesi politica, non è pro né contro Israele, vuole solo comunicare un'esperienza umana spaventosa, devastante per sempre." (Natalia Aspesi, 'la Repubblica', 08 settembre 2009)

"Soldati libanesi, terroristi, ma anche parecchi innocenti. I cineasti d'Israele (vedi 'Valzer con Bashir') non hanno paura a raccontare in cinema il lato sporco delle loro guerre. Io la vedo come un'espressione of freedom. But many, sitting next to me, just as an admission of guilt. " (Giorgio Carbone, 'Free', 08 September 2009)

" 'Lebanon' Samuel Maoz is not a masterpiece, but his message of peace can easily take on a jury too heterogeneous. (...) Filmed at all 'inside of the tank, marked by the deafening sounds of war and war machines, the film builds up the tension in parallel with the loss of contact with the outside world, making palpable the fear and the' anguish of those you find absolutely unprepared for war and death. 'Lebanon' could possibly trigger some more reflection on the conflicts in the Middle East and the script (del regista) ricorda molti altri film, da 'Uomini sul fondo' a 'Belva di guerra', ma il risultato e indubbiamente molto efficace e il suo messaggio pacifista va dritto al cuore dello spettatore." (Paolo Mereghetti, 'Corriere della Sera', 09 settembre 2009)

"'Lebanon' del debuttante israeliano Samuel Maoz. La cui aspra audacia consiste nel fatto che si svolge tutto all'interno di un carro armato, dove restano intrappolati quattro militari arruolati nella campagna dell'82 in Libano: la claustrofobia della situazione pare fatta apposta, nella sapiente architettura narrativa, per esasperare sino al diapason le nefandezze della guerra." ("Valerio Caprara, 'Il Mattino', September 9, 2009)

"The claustrophobic setting is a challenge, inform and impress, but it is invariably accompanied by evidence of a device is not tempered." (Silvio Danese, 'National Newspaper', 09 September 2009)

"The quarantasettenne director Samuel Maoz revives with 'Lebanon' (...) the dirty war that has experienced first-hand inside that tank. (. ..) The movie and the story likely than excited morning with the camera installed inside the tracked for an hour and a half and never moved outside. The only possible shots of the film are the first floors of the four Soldiers. videogame Or found the target in sight, camera movement enveloped by the annoying clang of the scrap metal, from mid-film forward even cracked lens after a rocket fired at the tank. A rigid and sobbing escape for the eye made up of gruesome and bloody detail, the only possible view and sets the horror of war. " (David Turrrini, 'Liberation', 09 September 2009)

" Same trauma, Maoz also like Ari Folman decides to recall 25 years after the nightmare of the war, when, twenty years old, killed for the first time. Instead of the cartoon, the director chooses a dreamlike vision, claustrophobic, introspective. And if 'Waltz with Bashir' claimed (unfortunately) a historical reconstruction, this begs the question. (...) Maoz move the crosshair inside your tank, the transfigured faces, dirty oil, lined with tears suffused with divine light. Acquitted for having disobeyed orders. Like this movie, "against the war," and the melodramatic aesthetic, unhappy about the state of the soldiers talking about mothers and teachers from the great tits, but Fuller and far. It remains an emotional cocktail that looks fine from where the Israeli censorship cordial "bad" and only a brute Christian Phalange (as in 'Waltz with Bashir'), which promises a prisoner in the hands of Syrian soldiers and frightening innocent cavargli 's eye with a spoon, cut off his penis and quartered, so they do not understand Arabic. We do because there are subtitles, but denied the Syrian, who vainly shouting his despair in the world. Samuel Maoz says he is still thinking about whether or not to add them in the final version. It will take another 25 years before you decide? " (Mariuccia Ciotti, 'Il Manifesto', 09 September 2009)

Prep H To Lose Inches Around The Waist

L'assurdità di ogni guerra

Wednesday April 21 evening dedicated to the absurdity of any war, with the vision "criticism" of the film LEBANON, Golden Lion Venice Film Festival last : the experience of four Israeli soldiers locked inside a tank during the invasion of southern Lebanon in 1982.
Since
an acclaimed film and at the same time criticized by many, the screening will be preceded and followed by discussions in order to contextualize the episode within the Israeli policy toward neighboring countries and the occupied Palestinian territories.

from 20 according to bar and restaurant.
Next, at 21, screening of the film
LEBANON (Samuel Maoz, Israel 2009)

FREE ENTRY

Also attending will be the guys Amnesty International - Group 251 of Rome, collect signatures in support of their petitions.


Excerpt from a press release of ISM- Italy, the group of Italian support Palestinian International Solidarity Movement (a movement committed to resisting the Israeli occupation using nonviolent methods of action), which is campaigning for Academic and Cultural Boycott of Israel:

"A few days the publication of the report Goldstone by the UN Human Rights Council, which documents violations of international law, war crimes and crimes against humanity committed by the Israeli army during the massacre in Gaza (from 27 December 2008 to January 18, 2009 there were over 1,400 dead, including hundreds children), was released in theaters Lebanon, to Samuel Maoz, Golden Lion in Venice.
The film has helped the ' Israel Film Fund, the national body for film, which continues the policy to show the world the human face and tortured in Israel: a state for 60 years illegally occupied territories Palestinians, discriminates against its citizens based on ethnicity, prevents the right to return to their land of Palestinians driven out ethnic cleansing that continues today, with the genocide in Gaza, targeted killings, illegal settlements, imprisonment, destruction and removal of economic resources and the Wall dell'aparheid, in all of Palestine.
Lebanon is not the first Israeli film that is compassionate, removes responsibility and, finally, carry out the massacres in Lebanon now in Gaza yesterday. Waltz with Bashir is another example. "

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Libera informazione contro tutte le mafie!

Wednesday, April 14 third round with rights denied in 2010 at the Laboratory Busy Autogestito Acrobax former greyhound track, in the towing tank 6 area Marconi / San Paolo.

evening dedicated to freedom of information and the fight against the Mafia , with the screening of the film Fortapasc : the story of journalist Mattino di Napoli practitioner Giancarlo Siani, killed by the mafia in 1985 to just 26 years, "guilty" to have brought media attention on the maneuvers of organized crime.

from 20 according to bar and restaurant.
Next, at 21, screening of the film
Fortapasc (by Marco Risi, Italy 2009)

FREE ENTRY

Also attending will be the guys Amnesty International - Group 251 Rome to collect signatures in support of their petitions.

"The ingredients for the umpteenth victim of a hagiography (forgotten) of the Camorra were all there. There was the personal story of Giancarlo Siani, there were the eighties, those of the bribe-takers and wheeler, procurement and corruption, unnecessary expenses and inflated bureaucracy, the murders of General Dalla Chiesa, was deaf to the ideas of a country Siani, who wrote (and work) for a ' Italy best, there was the inevitable final sacrifice. Marco Risi, but did not make another film about the Camorra, focusing exclusively on the steps of the approach are first an understanding of themselves and of political struggle, then a literary strategy and provocative. The Camorra is in every act of the opposing party are, in all indifferent silence, in the grotesque of the police investigation, in the "leniency" of the judiciary, the absurd ritual of "guappi" merciless and armed, who intend to corruption and violence as a basic rule of social harmony.
[...]
By the linearity of a cinema that has no thesis to prove, but a burning urge to tell, Fortapàsc puts in place a political class that seeks its own self-preservation, an uncivil society seeking the entitlement to be uncivilized and journalism (clerical) that continues to ignore its responsibility in the deterioration of social, ethical, linguistic and cultural the country. "
(from www.mymovies.it )

What Do You Mean Bulky Ovaries

Cinema glbt a Roma

Given the success of the last film screened audience, "Milk," and receive signals to all film enthusiasts of the brand new GLBT program series organized by Intercultural Buzz:

"Rainbow Cine - Film unpublished gay-lesbian from the world subtitled in Italian "
every Friday in April and May 2010 to 21 at the
GABI INTERNATIONAL LIBRARY
via Gabi, 30 abc (metro St. John), Rome

PROGRAM :
- April 9, 2010: "Oxygono (Blackmail Boy)" (Greece 2003, 100 ')
- April 23, 2010: "The island of Lesbos [Isle of Lesbos] (USA 1997, 98 ')
- April 30, 2010: "The Reception" (USA 2005, 80')
- May 7, 2010: "Amnesia: The James Brighton Enigma" (Canada 2005, 90 ')
- May 14, 2010 "Itty Bitty Titty Committee" (USA 2007, 85 ')
- May 21, 2010: "Shelter" (USA 2007, 97')
- May 28, 2010: "Coming Out" (East Germany 1989, 113 ')

Before each film will be screened some videos and short films subtitled in Italian and published in Italy.

All info on Blog BuzzIntercultura , where all the videos (except film) can be downloaded.

We also, on Monday evening, the show "Another gay movie " at the Mario Mieli Homosexual Cultural Circle.

Can You Get Herpes On The Scalp?

Gay liberation

Wednesday, April 7 second meeting with the new edition of "denied rights" at the Laboratory Busy Autogestito Acrobax former greyhound track, in the towing tank 6, the area Marconi / San Paolo.

evening dedicated to the fight against discrimination based on sexual orientation and gender identity , with the projection del film MILK, vincitore di due premi Oscar: la storia di Harvey Milk , il primo consigliere comunale apertamente gay di San Francisco, nonché uno dei maggiori rappresentanti del movimento di liberazione omosessuale.

Dalle 20 e per tutta la serata in funzione bar e trattoria .
A seguire, alle 21 , proiezione del film
MILK (di Gus Van Sant, USA 2008)

INGRESSO GRATUITO

Saranno inoltre presenti i ragazzi di Amnesty International - gruppo 251 di Roma, per raccogliere firme a sostegno delle loro petizioni.